A note for locals: This film is currently showing at the Art House Cinema 502 on 25th Street in Ogden. It is very intimate and most certainly not your Megaplex experience. If you haven't been to this unique little theater you might give it a try. They specialize in the art, documentary and foreign films that you won't see at the major chains. Art House Cinema 502
.
(2012)
Runtime:
1hr 47min.
Genre:
Drama, Romance
Rating: Not Rated - French, English Subtitles
Grade: A-
In pre-World War I France, a father is torn between his sense of honor
and his deep love for his saintly daughter when she becomes involved with a handsome young pilot,
the son of a wealthy shopkeeper, who abandons her when called up for the frontlines.

Twenty-five years after rising to international acclaim in Jean de Florette and Manon of the Spring, Daniel Auteuil returns to the world of Marcel Pagnol for his first work as director with this celebrated remake of the 1940s classic. Auteuil stars as the eponymous well-digger Pascale, a widower living with his six daughters in the Provence countryside at the start of World War I. His eldest, Patricia (the luminous Astrid Bergès-Frisbey), has returned home from Paris to help raise her sisters, and Pascale dreams of marrying her off to his loyal assistant Felipe (Kad Merad). But when she's impregnated by a wealthy young pilot (Nicolas Duvauchelle) who promptly abandons her for the frontlines, Pascale is left to contend with the consequences. -- (C) Kino Lorber
Social conventions, class and World War I are the powerful forces in conflict with a young
woman’s search for happiness. Can she ever find her place in a rapidly changing world?

Patricia's future, though fallen, is not set in stone. Some people will rise from the ashes and redeem
themselves. Despite societal labels and the village gossips, hers is really a story of virtue
restored. First time director
Auteuil keeps the film concretely grounded in the characters’ natural and social
environments. It is beautifully shot and honest to the period (with the possible exception of the bi-winged stunt planes at the air show, I'm not sure how accurate those are).


The Well-Digger's Daughter's old-fashioned style of is truly its strongest virtue. Perhaps its rigid class-consciousness will be lost on some, especially the perpetual social-climbers but I think most viewers will be lulled by artful and lush pastoral
cinematography of Jean-François Robin and by Alexandre Desplat’s nostalgic score.
This
is a handsome, beautifully dressed period production. If you are a
lover of literary drama of a Francophile, The Well-Digger’s
Daughter is most certainly recommended, but you don't have to be to
enjoy this charming and heartwarming film.
Cast
No comments:
Post a Comment