Showing posts with label John Carter. Show all posts
Showing posts with label John Carter. Show all posts

Friday, May 4, 2012

The Avengers - Review (updated 5/8/12 + Howard the Duck)


The Avengers grosses $18.7 million in late-night shows

Marvel's The Avengers

Opens today May 4, 2012
(Already opened in some foreign markets)
Run time: 2 hs 23 min
PG-13
Intense Sci-Fi Action/Violence and A Mild Drug Reference
Rating: A
Budget $220 Million
Box office to date $300+ Million

Nick Fury of S.H.I.E.L.D. brings together a team of super humans to form The Avengers to help save the Earth from Loki and his army. 
I saw this in the IMAX 3D format. I didn't mind the 3D effects at all (although the glasses made my face sweat which was a distraction). It was one of the first showings at 12:01 AM the theater was sold out and full of Comic Book geeks, er I guess I should say fans (although I think even they would call themselves Super Hero Geeks when they come to the movie dressed up in Super Hero costumes). They loved the film. I was all prepared to be underwhelmed...BUT I WASN'T! It has been a long time since I have been in a theater where the audience as a whole laughed and cheered a film. At the end there was cheering and applause.
I will update this post soon with a more complete review. (In the meantime I have included the synopsis of the film as posted on Wikipedia.)

I guarantee that this is going to be a huge box office smash hit! It has already topped $300 million prior to it's US opening and should make around $150 million this opening weekend.

 

Update: (Aug. 8, 2012)
Opening weekend in America tops $207 million, the previous record was held by Harry Potter and the Deathly Hallows part II at $169.2 million. The Avengers worldwide box office has exceeded $702 million in just 13 days.
OK, I was off on the opening weekend box office by 38%. Oops, my bad. Instead of $150 million it earned $207 million. But I was certainly right about it being a smash hit.
Avengers even gave a boost to the financially troubled Disney film, John Carter, after being teamed up as a double feature at Drive-in Theaters over the weekend, John Carter's earnings jumped by 1,224% over its previous weekend earnings.
There were 127 films playing during The Avengers' opening weekend. Avengers earned over four times as much as the other 126 films combined, totaling $207 million of the weekends total receipts of $258.2 million.
I have added some pictures to the previously posted review and a little personal tale about Howard the Duck, NOT one of Marvel's super hits.

None of the characters dominate this film, as it should be, a credit to Josh Whedon and Zak Penn. Who would have suspected that the Hulk, who hardly speaks at all,  would deliver two of the best laughs in the entire film.

The Avengers is fairly long but not that you will notice. It keeps you involved the entire time. The comedy and the suspense work very well with each other, artfully balanced by director Josh Whedon.

Synopsis:
Nick Fury (Samuel L Jackson), director of the espionage agency S.H.I.E.L.D., arrives at a remote research facility during an evacuation. The Tesseract, an energy source of unknown potential, has activated and opened a portal through space, through which the exiled Norse god Loki (Tom Hiddleston) steps. Loki takes the Tesseract, and uses his abilities to control the minds of several S.H.I.E.L.D. personnel including agent Clint Barton (Jeremy Renner), and physicist consultant Dr.Erik Selvig (Stellan Skarsgard) in order to aid in his getaway.
In response to the attack, Fury reactivates the Avengers Initiative. Agent Natasha Romanoff (Scarlett Johannson) is sent to India to recruit Dr. Bruce Banner (Mark Ruffalo), while Agent Phil Coulson (Clark Gregg), approaches Tony Stark (Robert Downey Jr.) and requests that he review Selvig's research. Fury himself approaches Steve Rogers (Chris Evans) with an assignment to retrieve the Tesseract from Loki. During his exile, Loki encountered the Other (Alexis Denisof), an alien conqueror who in exchange for the Tesseract offers Loki an army of the alien race called the Chitauri in order for him to subjugate Earth.

Rogers, Stark and Romanoff travel to Germany to apprehend Loki, who is recovering iridium needed to stabilize the Tesseract's power and demanding that the civilians kneel before him. After a battle with Captain America and Iron Man, Loki surrenders and is escorted back to a S.H.I.E.L.D. plane. However, Thor (Chris Hemsworth), Loki's adoptive brother and the Norse god of thunder, arrives and attempts to free Loki to reason with him. Stark and Rogers confront Thor, and Loki is eventually returned to the Helicarrier, a high-tech, flying aircraft carrier, and placed in a cell designed to hold the Hulk.
 


The Avengers are divided, both over how to approach Loki and the revelation that S.H.I.E.L.D. plan to harness the Tesseract's power to develop weapons. Fury admits that the events in New Mexico a year before made S.H.I.E.L.D. aware of extraterrestrial life, some of whom may see Earth as a target. The decision was made to produce weapons with the Tesseract as a means of deterrence. As the group argues, Barton and Loki's other possessed agents attack the Helicarrier, disabling its engines in flight. As Stark and Rogers attempt to restart the damaged engines, Banner transforms into the Hulk, despite Romanoff's best efforts to calm him down, and runs amok inside the ship, fighting Thor. During a fight with Barton, Romanoff discovers that a blow to the head — powerful enough to knock Barton unconscious — is enough to break Loki's mind control. Loki escapes, killing Agent Coulson as he does so, and Thor and the Hulk are each ejected from the ship.

Fury uses Coulson's death to motivate the Avengers into working as a team. Stark and Rogers realize that simply defeating them will not be enough for Loki; he needs to overpower them in a very public way so as to validate himself as ruler of Earth. Using a device built by Selvig, Loki opens a portal to the Chitauri fleet over Manhattan, summoning a Chitauri invasion.
 

The Avengers rally in defense of New York, but quickly realize they will be overwhelmed as wave after wave of Chitauri descend upon Earth. With help from Barton, Rogers and Stark evacuate civilians, while Banner transforms into the Hulk again and goes after Loki, beating him into submission. Romanoff makes her way to the portal, where Selvig, freed of Loki's control, reveals that Loki's staff can be used to close the portal.
Meanwhile, Fury's superiors attempt to end the invasion by launching a nuclear missile at Manhattan. Stark intercepts the missile and takes it through the portal toward the Chitauri fleet before running out of power and plummeting back to Earth, but the Hulk catches him as he falls. Thor escorts Loki and the Tesseract back to Asgard, while Fury notes that the Avengers will go their separate ways until such time as a new world-threatening menace emerges.

Buy The Avengers merchandise:
Cast of The Avengers at the 2010 San Diego Comic-Con International, with Joss Whedon and Kevin Feige.
In a post-credits scene, the Other confers with his master about the attack on Earth. In a second post-credits scene, the Avengers — gathered at a shawarma restaurant — eat in silence.


My Personal brush with 'fame' at Marvel
Stan Lee is the artist who brought most of the Super Heroes to life in the pages of Marvel's comic books. He has appeared at various pre-release events for the Avengers. He was not, however, responsible for Howard the Duck. 
Many years ago way back in the 70s, I did some work for Marvel Comics. At some of the pre-release publicity events in NYC for the movie, Howard the Duck. Although the comic was seen as one of the best of the 70s, its transition to the silver screen was not so warmly received by critics many who still refer to it as one of the worst movies of all time, it was proclaimed as a major movie fiasco heaping ridicule on all those involved including: George Lucas, Tim Robbins, Lea Thompson, and Jeffery Jones.

Anyway back to me...I made some personal appearances as Howard the Duck back in the 70s. One of those appearances was at a party for the children of Marvel executives. It was a part of the annual International Toy Fair in Manhattan. It was to occupy the children while the parent executives did their 'adult' stuff.  It is a tremendously important industry convention/trade-show. 

And...If I may be so bold, the children were for the most part ill mannered, privileged, spoiled, little monstrous brats. It was not one of my shining moments as an actor. I couldn't say one of my most favorite and special experiences nor was it what I would come to remember as a pleasant experience.

Saturday, March 10, 2012

John Carter - Review (Updated June 10, 2012)

A Civil War soldier becomes Mars' greatest hero.
John Carter opened yesterday March 9, 2012. It is a fun ride a fast-paced adventure with a lot of heart. One must take it for what it is...a cinematic portrayal of a 100 year old science fiction novel. You have flying machines and laser like space guns yet the combatants still fight with swords and knives, while riding huge beasts as if they were horses. So, just suspend your disbelief and enjoy it for what it is.
To read more in depth on the making of the film, behind the scenes, photos
 and watch many more trailers click the logo below or HERE.
John Carter
Action/Adventure/Drama‎
Rated PG-13 (Some language-nothing worse than broadcast TV.)
2hr 19min‎‎
Playing on regular screen or in 3D and in IMAX 3D at select locations
$250 Million production budget
Director: Andrew Stanton (Finding Nemo, Wall-E)
Cast:        Taylor Kitsch (Friday Night Lights)
                Lynn Collins
                Bryan Cranston
                Ciarán Hinds
                James Purefoy
                Mark Strong
                Willem Dafoe
Rating: B


 Box Office UPDATE:
Total Lifetime Grosses (as of June 10, 2012)
Domestic:  $72,884,435    25.8%
+ Foreign:  $209,700,000    74.2%

= Worldwide:  $282,584,435

Personally I think something sells about the whole money issue here. The production and promotion numbers seem dubious at best.
There are a lot of questions here.
  1. Disney claims the production costs (among the highest for any film to date) range from $250-300 million. Really? Is it so easy to lose track of $50 million, 20% of the budget? How do you misplace $50 million? Who are your accountants, Congress? Barny Franks? Chris Dodd? (He is the new CEO of the Motion Picture Association of America, can you believe MPAA is paying that crook $1.5 million anally.)
  2. Disney claims it cost approximately $300 million to promote and distribute the film. Really? Why did it cost $50 million more to promote it than make it? Why couldn't it have been promoted as economically as any number of other blockbusters? 
  3. Disney claims even before the film opens that it is expecting a $200 million dollar loss. Really? Why would they sabotage the film's opening weekend where a film makes the majority of its box office? Why tell the news media that a turkey is on the way, why scare off your audience before it opens?
  4. Disney did a lousy promotion job. Using the name John Carter with no reference, to speak of, to Edgar Rice Burroughs, or to the previous successful hits by Director Andrew Stanton. Most references were negative in that they mentioned that it was his first attempt at live action.
  5. Me thinks there is some 'creative accounting' afoot at Disney. Word is that there will be a very strong DVD/Blu-ray market. Disney is not likely to loose the amount that they have bandied about. It may have been inside politics, a cover for ousting Studio Chairman Rich Ross. Not to mention the benefits of tax right-offs for a Mega-bomb loss.
This is Edgar Rice Burroughs' 100 year old Western/Space/Fantasy novel, A Princess of Mars brought to the big screen, especially big if you choose to see it in IMAX 3D. 
I'm not all that big on 3D versions so I chose to see it in the regular 2D version.
Taylor Kitsch stars as the title character in "John Carter."
Photo: Frank Connor / Copyright © 2010 Disney Enterprises, Inc. All Rights Reserved.
For Edgar Rice Burroughs fans the script is very loyal to the book. Stanton and his writing partners deserve credit for injecting Burroughs’ original tale with just enough modern sensibility to preserve a necessary suspension of disbelief for a film like John Carter. No small feat, when one considers how much the general public knows about Mars today as compared to what was known way back in 1912, when A Princess of Mars was first published.
Tars Tarkas (Willem Dafoe, left) and John Carter (Taylor Kitsch, right) meet for the first time.
John Carter (TM) ERB, Inc. / ©2011 Disney. John Carter (TM) ERB, Inc
The film opens with John Carter on the streets of NYC trying to ditch an unknown stalker. He slips into a telegraph office where he summons a young Edgar Rice Burrows in a terse memo to come and see him immediately without any explanation. He arrives at his wealthy uncle's estate where John Carter's manservant informs him that his uncle had died just hours before his arrival and has already been entombed in a mausoleum that opens only from the inside. John Carter has left his entire estate to his young nephew as well as his journals. It is when he begins to read the journal that the mystery begins to unfold.
John Carter (Taylor Kitsch)
This is the story of a rebel spirited, war-weary, former Confederate Captain John Carter. While searching for gold in the Arizona desert he is mysteriously transported to Mars where he becomes reluctantly embroiled in a conflict of epic proportions amongst the inhabitants of the planet, including Tars Tarkas, who calls him Virginia and the captivating Princess Dejah Thoris. In a world on the brink of collapse. 
Tars Tarkas (Willem Dafoe, center), John Carter (Taylor Kitsch, right)
John Carter (TM) ERB, Inc. / ©2011 Disney. John Carter (TM) ERB, Inc
One of the first things that you notice about John Carter is the spectacular scope of the world conceived by Burroughs in his stories and brought to life on the screen by Stanton. There’s a very real sense of wonder throughout the film that’s hard to dismiss, you are eager to see what unique settings lie over the ridge, beyond the next mountain or around the corner. It’s the sort of vision that anyone creating a fantastic world on paper hopes for when the dream is brought to fruition. Aside from that, since most of that fabulous world was created and filmed in my home state of Utah and the story starts in my other hometown of NYC, I have to give it a nod don't I? 

Tal Hajus with arms upraised
Credit: © Disney Enterprises, Inc
Carter wants only to return to Earth and resists being drawn into a fight that is not his own and where he trusts no one. Eventually, however, he rediscovers his humanity and purpose when he realizes that the survival of Barsoom and its people rests in his hands.
Airship Overhead in "John Carter"
Credit: © Disney Enterprises, Inc
This maybe Stanton’s first venture into directing live action, but with Finding Nemo and Wall-E under his belt he is not a novice by any means in maintaining the balance between old school action and new school blockbuster techniques. The film has a mix of some of the best elements from Avatar, Flash Gordon and Star Wars.

L to R: Tars Tarkas (Willem Dafoe), John Carter (Taylor Kitsch)
Credit: ©2011 Disney. JOHN CARTER™ ERB, Inc.
It is no secret that Disney would like to see a franchise grow out of this opening epic. There is most certainly no dearth of material, Mr. Burroughs penned 11 books in the continuing saga. Whether or not Disney's John Carter can produce the required following 100 years later out of today's youthful high tech market is something we will probably be able to determine within the next few weeks. Opening this weekend without any major competition should guarantee the #1 spot at the box office. Holding on to that spot will be a whole different proposition but if it does you can expect to see more of John Carter and his friends in southern Utah...er a ...on Mars. 
Matai Shang (Mark Strong) with Warhoons
©2011 Disney. JOHN CARTER™ ERB, Inc.

Woola is a Calot, a large, lizard-like dog, that takes space hero, John Carter as his master.
        Credit: ©2011 Disney. JOHN CARTER™ ERB, Inc.

The city of Helium, "The Jewel of Barsoom (Mars)," is the home of Princess Dejah ThorisCredit: ©Disney Enterprises, Inc

"John Carter," stars Lynn Collins and Taylor Kitsch, is based on a story by author Edgar Rice Burroughs. Photo: Frank Connor / Copyright © 2010 Disney Enterprises, Inc. All Rights Reserved.

Star Taylor Kitsch, front, tries to avoid creatures in "John Carter."
Photo: Frank Connor / MCT
Dejah Thoris (Lynn Collins) is Princess of Helium
         Credit: Frank Connor/©2011 Disney
This little guy was just 6" tall. I was happy to have caught a little bit of Frank Frazetta in this tiny maquette.
TEVES DESIGN STUDIO » SCULPTURE » Little John Carter maquette
More pre-poduction design models: L to R, Thark, John Carter, Thoat
In the Utah desert, Andrew Stanton and his production team found the perfect location to recreate Edgar Rice Burroughs landscape of Mars.  Click here for more details from Director Andrew Stanton, the production team, and cast members, on what went into adapting Burroughs’ “Princess of Mars” into the feature film “John Carter.”

Behind the Scenes: On Saturday, June 5, 2010, crewmembers, working on location in Utah, found a large bone protruding from the ground.  The Bureau of Land Management confirmed it was in fact a Sauropod bone — either a femur or scapula — from a dinosaur that could have been 60ft long.  An excavation is currently taking place to retrieve the rest of the prehistoric skeleton discovered by the “John Carter” crew.
BTS, L to R: Director Andrew Stanton, John Carter (Taylor Kitsch) Photo by: Frank Connor ©2011 Disney. JOHN CARTER™ ERB, Inc.
Disney Editions is right on track, and this is worthy of recognition: not only are they issuing the requisite companion novel, they’re also coming out with attractively-packaged reprints of all eleven ERB novels set on Mars, the world its inhabitants call Barsoom – taking a page from the classic old Doubleday Book Club editions by grouping the novels together in omnibus volumes rather than putting out eleven stand-alone books. Readers of a certain age will remember the spectacular productions that were those old Doubleday hardcovers – the minimal cover copy, the line-drawings throughout, and most of all those exquisite covers featuring, the late, Frank Frazetta’s iconic realizations of our sword-wielding hero John Carter, the ex-Confederate Virginia man mysteriously transported to Mars, where his Earth-born muscles give him fantastic physical strength and speed. Readers of those volumes – or the wonderful set of eleven paperbacks put out by Del Rey in the 1970s and featuring some almost equally beautiful covers by Michael Whelan – may long have dreamt of this event: a lavish movie adaptation of their cherished stories. Movie critics will have their say (their early notices have not been kind to poor gravel-voiced Taylor Kitsch – one critic quipped that he shows so little vitality he might as well be watching the movie rather than starring in it), but it’s those long-time fans who constitute the show’s truest judges. They are the ones who’ve spent countless hours daydreaming of adventures on ERB’s exotic faraway world, with its red men and green men and ferocious white apes and flashing sabers and flying ships.