Producers: Adam Shankman, Jennifer Gibgot, Erik Feig, Patrick Wachsberger
Cast: Ryan Guzman, Kathryn McCormick, Misha Gabriel Hamilton, Stephen Boss, Megan Boone, Peter Gallagher, More
Cast: Ryan Guzman, Kathryn McCormick, Misha Gabriel Hamilton, Stephen Boss, Megan Boone, Peter Gallagher, More
Emily Anderson (Kathryn McCormick), the daughter of a wealthy businessman (Peter Gallagher), arrives in Miami with aspirations of becoming a professional dancer, but soon falls in love with Sean (Ryan Guzman), a young man who leads a dance crew along with his BFF since 'puppy-hood' Eddie (Misha Gabriel Hamilton) in elaborate, cutting-edge flash mobs. The crew, called the MOB, strives to win a contest for a major sponsorship opportunity, but soon Emily's father threatens to develop the MOB's historic neighborhood and displace thousands of people. Emily must band together with Sean and the MOB to turn their performance art into protest art and risk losing their dreams to fight for a greater cause.
This is the fourth installment from the highly successful Step Up franchise. Admittedly, I haven't seen any of the previous episodes. I saw it in 3D (I don't recommend it) there was nothing much that it added. The best use of the 3D was during the closing credits. The midnight showing was practically all dancers and dancer geeks. They danced their way out of the theater and continued dancing outside the theater where they repeated steps from the film and tried to show off to each other, their own special 'moves'.
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The choreography and the dancing are first class. If you enjoy dancing you will most likely enjoy this film for the element alone. Forget the sappy story and the cliched romance. The director has wisely kept acting to a minimum, thankfully. Acting for these dancers (and model-becomes-actor/dancer Ryan Guzman) is not their forte. The leads are attractive with great bodies and equally great moves.
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The PLOT
I could pick it apart frame by frame. Where do minimum wage waiters etc. get the money for all their A-List sound equipment, lighting, costumes; how do they never draw any attention from the police; where do the get the time to rehearse their complex choreography; how is it that these 'regular untrained individual homies' dance like those who have dedicated their lives to countless hours of classes, training an practice. Why are all the adult roles stereotype caricatures; and why...oh, never mind...who cares about the plot. Enjoy these behind the scenes clips.
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