Friday, October 26, 2012

Silent Hill: Revelation 3D - Review

Silent Hill: Revelation 3D
(2012)
Horror | Mystery | Thriller
94 min.

Rated: R Disturbing Images, Brief Nudity, Some Language and Violence
Grade: C-

Director: Michael J. Bassett
Writer: Michael J. Bassett
Stars: Sean Bean, Radha Mitchell, Carrie-Anne Moss | See full cast and crew

Heather Mason (Adelaide Clemens) and her father (Sean Bean) have been on the run, always one step ahead of dangerous forces that she doesn't fully understand. Now on the eve of her 18th birthday, plagued by horrific nightmares and the disappearance of her father, Heather discovers she's not who she thinks she is. The revelation leads her deeper into a demonic world that threatens to trap her forever.
Beware of evil clowns and scary carnival bunnies.



Silent Hill: Revelation 3D is directed and written by Michael J. Bassett and a sequel to the horror film Silent Hill. Revelation 3D and it predecessor is based on the survival horror video game Silent Hill 3 by Konami. stars Adelaide Clemens, Kit Harington, Deborah Kara Unger, Martin Donovan, Malcolm McDowell, Carrie-Anne Moss, and Sean Bean.


When I saw this film, there weren't to many in the theater, when word of mouth gets out I doubt that many theaters showing this film will be full. It is ambitiously high on style but when it comes to substance it is more or less an emotionless mellowdrama with brief flashes of the macabre haphazardly thrown in every now and then for shock value. 
The alternate reality sets and visual effects of Silent Hill were reminiscent of the Nightmare On Elm Street franchise. The 3D effect added very little to the movie. The writer/director has also sporadically incorporated some profanity including a spattering of 'F's, which do nothing to further the plot or improve the film in any way.
There is very little suspense, nothing really to raise some goosebumps, not much even in the way of cheap 'gotcha' scariness. This film has the feel of watching a video game without having access to the joystick. Let's see...'No joy' just might be a fairly accurate description of this film.
                            
Cast
Heather/Alessa                            Vincent
    Sean Bean            Radha Mitchell
Harry                               Rose
Claudia Wolf                  Leonard Wolf

Sunday, October 21, 2012

Atlas Shrugged Part 2

Atlas Shrugged 2
(2012)
Drama | Mystery
113 min.

Rated: PG13 Brief Language
Grade: C+

Director: John Putch
Writers: Duke Sandefur , Brian Patrick O'Toole (co-writer), and 2 more credits »
Stars: Samantha Mathis, Jason Beghe and Esai Morales | See full cast and crew



The global economy is on the brink of collapse. Unemployment has risen to 24%. Gas is now $42 per gallon. Brilliant creators, from artists to industrialists, continue to mysteriously disappear at the hands of the unknown. Dagny Taggart, Vice President in Charge of Operations for Taggart Transcontinental, has discovered what may very well be the answer to a mounting energy crisis - found abandoned amongst the ruins of a once productive factory, a revolutionary motor that could seemingly power the World. But, the motor is dead... there is no one left to decipher its secret... and, someone is watching. It's a race against the clock to find the inventor before the motor of the World is stopped for good. Who is John Galt? -- (C) Official Site

Hated by critics, praised by ticket buyers. This is very much expected. Ayn Rand's detractors will hate the movie as much as they hate her. Her 1957 novel, her opus, Atlas Shrugged, has garnered great acclaim, and I confess I have not read read it - it's very, very, LONG! It's as long as Tolken's The Ring trilogy, all by itself. Even so, I know about the book, I've listened to people extol  its virtues and heard its detractors claims of anti-Utopianism. So much has been written about her and her novel, I would never pretend to be an expert on anything about her or it.
Following the box office failure of Atlas Shrugged Part 1 (which I also did not see), this second installment has a larger budget and has changed the cast. Still sadly, the production values are terribly substandard. Much of the special effects look like something a high school student could have cooked up in his bedroom on his Mac. As I watched it I kept thinking the Left Behind series, maybe, know what I mean? This is too bad, it could have been better. It should have been better, WAY better. Such an classic novel deserves a first class rendition. Still, all in all, it is a very worthwhile movie based on the content alone, the message. The novel, and by virtue the film, is prophetic in its nature. We are currantly in a never ending battle against overreaching tyrannical governments. that view our constitutional rights as an impediment to redistribution and of course that is for the greater good of the global community.
Ever heard of a snake-oil salesman? They are selling you a bill of goods. Our current president favors granting the UN power to exact global taxes for global redistribution, the power to supersede our constitutional right to self-determination and limited government. He, and those who think like him, propose a benevolent global government with absolute power to assure fairness. Problem is, we know that ain't what we're gonna get. Remember that, "Power corrupts and absolute power corrupts absolutely". This is one of the points that Atlas Shrugged warns against. Big government by virtue is anti-liberty, anti-self determination, anti-freedom. It is an enemy to the people, it rises to power promising security and benevolence and invariably becomes an insatianle slave-master of the people. It frustrates personal incentive, limits freedom, limits choice, limits quality of life.

As far as grading Atlas Shrugged Part 2, I have to applaud its message but I can't overlook the shabby direction, script, acting and production values. I am probably being over generous but I think the content is more important than the delivery.
Plot
(via Wikipedia)
The film begins with a flashforward in which Dagny Taggart crashes an airplane while following another plane. Dagny says to herself "Who is John Galt?" before crashing into the mountainside.
The film returns to eight months earlier. Dagny is trying to discover how the abandoned prototype of an advanced motor she and Hank Rearden found works. Quentin Daniels, the only capable scientist who has not disappeared yet, agrees to help her from his abandoned university laboratory in Utah.

Dagny's brother James Taggart, president of the family railroad, meets a store clerk (Cherryl Brooks) and brings her to see the performance of a pianist, who disappears during his performance, leaving a note asking "Who is John Galt?" Later, during the wedding of James and Cherryl, Dagny's friend Francisco d'Anconia argues with other guests about whether money is evil, and secretly informs Rearden that his copper mine will suffer a devastating explosion the next day. Rearden spends that night with his paramour Dagny. Later he is confronted by his wife Lillian; she refuses to grant him a divorce in order to maintain her position in society.

Rearden sells his advanced-material Steel to Ken Danagger's coal mining company, and refuses to sell it to the government in defiance of the newly enacted "Fair Share" law that forces businesses to sell to all buyers. The two are charged under the law but Danagger disappears before trial. Rearden makes a statement at trial about the benefits of the pursuit of profit, and is given only a token penalty by the court when it is seen that the crowds support him. However, the government announces a new law that freezes all employment and productions, and requires all patent rights to be transferred to the federal government. Government bureaucracy Wesley Mouch blackmails Rearden into giving up his Rearden Steel patents, using photos of Rearden and Dagny that would damage Dagny's reputation.
Dagny leaves her COO post at the railroad when her prized John Galt line is dissembled due to lack of business. During her absence, a train of Taggart Transcontinental collides with a military train in a tunnel in South Colorado, due in large part to human error by her poorly-trained replacement. Francisco tries to convince Dagny from returning to the railroad to supervise repairs, as he had earlier tried to talk Rearden into leaving his business, but she does nonetheless.
Dagny takes a train to Colorado to show her faith in the railway. The train stops due to an engine failure. The technician who comes to fix it used to work for 20th Century Motor, which produced the motor Dagny found. The technician tells Dagny how the need-based reward system in his company failed, and his coworker John Galt left the company to "stop the motor of the world". Dagny calls Daniels, who tells her that he is quitting. Dagny buys a small airplane nearby, and flies to Utah to try to dissuade him. While landing, she sees the scientist get into a plane on the airstrip.
After a pursuit in the air--the opening scene of the film--Dagny's plane crashes in a valley hidden by stealth technology. Dagny crawls to the edge of her crashed plane, where she is greeted by John Galt.
As the screen fades, a quote from the Atlas Shrugged novel is displayed.

Cast
Samantha Mathis            Jason Beghe
Dagny Taggart                 Henry Rearden
Patrick Fabian              Kim Rhodes
James Taggart                   Lillian Rearden
Francisco d'Anconia              Eddie Willers
John Galt

Alex Cross - Review

Alex Cross
(2012)
Action | Crime | Mystery
1 hr. 41 min.

Rated: PG13 Violence, Nudity, Disturbing Images, Language, Drug References and Sexual Content What parents need to know
Grade: C-

Director: Rob Cohen
Writers: Marc Moss (screenplay), Kerry Williamson (novel 'Cross'), James Patterson
Stars: Tyler Perry, Matthew Fox and Rachel Nichols | See full cast and crew


Alex Cross follows the young homicide detective/psychologist (Tyler Perry), from the worldwide best-selling novels by James Patterson, as he meets his match in a serial killer (Matthew Fox). The two face off in a high-stakes game of cat and mouse, but when the mission gets personal, Cross is pushed to the edge of his moral and psychological limits in this taut and exciting action thriller. -- (C) Lionsgate 

I admit I have never read a James Patterson novel, so I came in with no preconception for this film. I was eager to see Tyler Perry do something other than his Madea characters. Critics have been extremely harsh on everyone involved in this film. I didn't love the movie but hate it either.
 
It is a very formulaic serial killer movie, but then I am assuming that would be the case with most of Patterson's novels. He does seem to churn them out with the regularity of a conveyor belt. How could they not be formulaic? The question is can a script be artfully crafted and directed with competent actors and production personnel into something that we just enjoy and don't get hung up on the formula. Does Alex Cross accomplish that goal...well, no, not really. Do you enjoy the plethora of crime dramas on TV?

If you do you will probably be satisfied with Alex Cross. I must admit that I was very often distracted by blatant product placement (mostly GM cars) and by the host city...Detroit, what a disgrace!  To see the skeletal remains of a once great city brought to the edge of the open grave by an unholy alliance of greedy union bullying and socialist philosophy looting. It is simply mind boggling, but that is and entirely different discussion for another time. Meanwhile back at the theater, if I found myself drifting off on such tangents then I guess the filmmakers came up a bit short of accomplishing their goals.
Tyler Perry is, I guess, OK as Alex Cross but I found myself awestruck at the banality of his 'profiling' monologues, certainly the script isn't meaty enough for any real character development beyond general stereotypes. Incidentally, while we're speaking of stereotypes, when is someone going to find Cicely Tyson a role for which she worthy? In this film she is reduced to playing the stereotypical stern, one dimensional, sage black grandmother. What a pathetic waste of talent. She does the best she can with what she has been given but you can't anchor an entire film with one great actor in a bit part.

Fellow detectives Tommy Kane (Edward Burns) and Monica Ashe (Rachel Nichols) are cardboard cutouts,  Police Chief Richard Bookwell (John C. McGinley) appears entirely miscast and unconvincing, and the villainous Picasso (Matthew Fox) is an over the top psychopath. All of the characters are written paper thin.

Another negative check for the film is in its resolution, it appears to suggests that even for cops at times it's justifiable to pursue morally questionable methods, to take matters into their own hands, to circumvent the law in search of personal vengeance. On the plus side of things, at least we aren't bombarded with 'F' words throughout the film as in the recently released End of Watch, an element which made that film almost unbearable to sit through, it certainly sullied any positive messages.
Alex Cross debuted in fourth place to an estimated $4.01 million from 2,539 locations, trailing Paranormal Activity 4 ($15 million) Argo ($5.09 million) and Taken 2 ($4.25 million). That's lower than Daddy's Little Girls ($4.58 million), which previously held the record for worst opening day for a movie Tyler Perry was associated with.

Considering the reception this film is getting from the critics across the board and the low box office showing, Tyler Perry had better not hang up his Madea dresses. I don't see a sequel in the future.
Cast
Tyler Perry             Matthew Fox
Alex Cross                            Picasso
John C. McGinley        Edward Burns           Rachel Nichols
Richard Bookwell                Tommy Kane                 Monica Ashe
Carmen Ejogo           Cicely Tyson
  Maria Cross                   Nana Mama