Thursday, May 17, 2012

Donna Summer - A Heartfelt Farewell

One of my all-time personal favorites,
 The Queen of Disco, is gone and much too soon.
With her beauty queen good looks and a string of #1 hits Donna Summer came into prominence just as disco was taking hold of a nation. Her pulsing anthems such as Last Dance, Love to Love You Baby and Bad Girl became the soundtrack for a glittery age of sex, drugs, dance and flashy clothes.

Disco became as much defined by her sultry, sexual vocals — her bedroom moans and sighs — as was the relentless, pulsing rhythms of the music itself. Love to Love You Baby, with its erotic moans, was her first hit and one of the most scandalous songs of the polyester-and-platform-heel era.
She Works Hard For The Money
She was able to grow beyond disco, while most of the other stars of the disco era faded away as the music became less popular, she transitioned into a pop-rock sound. One of her biggest hits in the 1980s 'She Works Hard For The Money', became another anthem, this time for women's rights.
 

When she became a born-again Christian she faced controversy when she was accused of making anti-gay comments in relation to the AIDS epidemic. Summer denied making the comments, but was the target of a boycott. Still, even as disco went out of fashion she remained a fixture in dance clubs, endlessly sampled and remixed into contemporary dance hits.
Another Place Another Time
Love to Love You Baby was her U.S. chart debut and the first of 19 No. 1 dance hits from 1975 to 2008 — second only to Madonna. During the disco era she burned up the charts: She was the only artist to have three consecutive double-LPs hit No. 1, Live and More, Bad Girls and On the Radio. She was also the first female artist with four No. 1 singles in a 13-month period, according to the Rock and Roll Hall of Fame, where she was a nominee this year.

She was never really comfortable with the label of 'Disco Queen'. Musically, she began to change in 1979 with Hot Stuff, which had a tough, rock 'n' roll beat. Her diverse sound helped her earn Grammy Awards in the
categories of dance, rock, R and B and inspirational. Her last album, Crayons, was released in 2008. It was her first full studio album in 17 years. She also performed on American Idol that year with its top female contestants.

Donna Summer died of cancer Thursday morning May 17, 2012. The indisputable queen of disco, passed away at age 63 after a lengthy battle with cancer. Sources close to Summer stated the singer was trying to keep the extent of her illness under wraps. TMZ said they spoke to someone who was with Donna a couple of weeks ago, who said she didn’t seem to be too bad. In fact, it was said  she was focused on trying to finish up an album she had been working on
She sang the pants off of Barbara in my opinion.
Her family released a statement, saying Summer died Thursday morning and that they "are at peace celebrating her extraordinary life and her continued legacy."

"Words truly can't express how much we appreciate your prayers and love for our family at this sensitive time," the statement read. She had been living in Englewood, Fla., with her husband, Bruce Sudano.

 
Discography here

Buy her music here



She was born December 31, 1948 in the Dorchester community of Boston. 

Four Seasons Of Love
She was born LaDonna Adrian Gaines, one of seven children raised by devout Christian parents. She sang in church, and as a teenager joined a rock group called The Crow. At 18, she left home and school to take up a supporting role in the Broadway musical, "Hair." The show moved to Germany shortly afterwards and she eventually became a German resident. For several years she performed in various musicals and did jobs in studios and theaters. She performed in German versions of several other musicals, including "Godspell" and "Show Boat" and also performed with the Viennese Folk Opera. In 1971, she released her first solo recording in Europe titled "Sally Go 'Round The Roses."

She met and fell in love with actor Helmuth Sommer while the two were acting in Godspell. In 1973, the couple married and that year Summer gave birth to her first child, daughter Mimi Sommer.

From 1974-75 she sang with the pop group Family Tree. By 1975, however, their marriage crumbled and they had formally divorced. Summer took an Anglicized version of his last name as her stage name.
After her divorce, she moved into her Los Angeles house with lover Peter Mühldorfer, a respected surrealist painter. As her fame increased, Mühldorfer resented all the press and public attention and it drove a wedge between them. She has stated that he became violent and with the help of Casablanca Records mogul Neil Bogart he was eventually forced to return to Germany after his visa was revoked.While singing back-up for Three Dog Night, she met producers Giorgio Moroder and Pete Bellotte, signed a contract and issued her first album, "Lady of the Night," which included the European hit, "The Hostage." The couple divorced in 1976.
I Feel Love
In 1978, she collaborated with the R&B Pop group the Brooklyn Dreams for the song "Heaven Knows." While at the session recording the single, she met Bruce Sudano. The duo began a romance that culminated in their July 16, 1980, marriage, and later the birth of daughters Brooklyn and Amanda. Today, Mimi and Amanda sing alongside their mother and Brooklyn has done some acting. Donna Summer was a grandmother of three.

She dealt with controversy both professionally and personally in her career. In the early 1980s, she reportedly suggested that AIDS was a divine punishment from God. Her songs were banned for a number of years in some gay establishments. Summer has long denied such allegations, and finally took legal action against a newspaper which printed the rumors during a review of a concert. In 1991, during the height of the Gulf War, Summer's song "State Of Independence" was banned from US radio play.

Her talent and musicianship (aided by Giorgio Moroder) are embraced as the epitome of the disco era. On September 27, 2007, Summer, was nominated for induction into the Rock and Roll Hall of Fame.
Donna, I could say rest in peace, but I know you won't rest. You are destined to go on singing and dancing eternally, they will love your songs of praise on the other side just as much we loved you here.

We love you Donna and will dearly miss you and your fantastic and incredible voice.

Friday, May 11, 2012

Dark Shadows - Review

 "WE ALL go a little mad sometimes." -- Norman Bates, "Psycho"

Dark Shadows
Release Date: May 11, 2012 (USA)
Comedy - Fantasy
PG-13
Run time 113 min.
Rating: C-
An imprisoned vampire, Barnabas Collins, is set free and returns to his ancestral home, where his dysfunctional descendants are in need of his protection.
The story takes place in 1972, one year after the TV series Dark Shadows was canceled. For those of you who are younger and never saw the TV series, or those who don’t know the basics of the show including myself, I never saw a single episode, you might need a primer, so here goes...
In the year 1752, Joshua and Naomi Collins, with young son Barnabas, set sail from Liverpool, England to start a new life in America. But even an ocean was not enough to escape the mysterious curse that has plagued their family. Two decades pass and Barnabas (Johnny Depp) has the world at his feet—or at least the town of Collinsport, Maine. The master of Collinwood Manor, Barnabas is rich, powerful and an inveterate playboy…until he makes the grave mistake of breaking the heart of Angelique Brouchard (Eva Green). A witch, in every sense of the word, Angelique dooms him to a fate worse than death: turning him into a vampire, and then burying him alive.
Two centuries later, Barnabas is inadvertently freed from his tomb and emerges into the very changed world of 1972. He returns to Collinwood Manor to find that his once-grand estate has fallen into ruin. The dysfunctional remnants of the Collins family have fared little better, each harboring their own dark secrets. Matriarch Elizabeth Collins Stoddard (Michelle Pfeiffer) has called upon live-in psychiatrist, Dr. Julia Hoffman (Helena Bonham Carter), to help with her family troubles.
Also residing in the manor is Elizabeth’s ne’er-do-well brother, Roger Collins (Jonny Lee Miller); her rebellious teenage daughter Carolyn Stoddard (Chloe Moretz); and Roger’s precocious 10-year-old son, David Collins (Gulliver McGrath). The mystery extends beyond the family, to caretaker Willie Loomis (Jackie Earle Haley) and David’s new nanny, Victoria Winters (Bella Heathcote).
Cast (left to right): Helena Bonham Carter as Dr. Julia Hoffman; Chloe Grace Moretz as Carolyn Stoddard; Eva Green as Angelique Bouchard; Gulliver McGrath as David Collins; Bella Heathcote as Vitoria Winters; Johnny Depp as Barnabas; Ray Shirley as Mrs. Johnson; Jackie Earle Haley as Willie Loomis; Jonny Lee Miller as Roger Collins; and Michelle Pfeiffer as Elizabeth Collins Stoddard
The PROS and Cons:
 
The plot summary for Dark Shadows may sound ambitious and busy. Well, that's because it is. It's a schizo mess of a script that bit off more than it could handle. There are numerous subplots (Isn't Victoria the governess supposed to be spending time with the troubled boy David?), even major story lines like the Barnabas-Victoria relationship tend to vanish for long stretches. Some of the over ambitiousness may be due to the script's attempts to tie in plots from the original show (Like I said earlier I never watched the TV series and I'm no expert.). Regardless, it's no excuse the shoddy writing or the laziness of some of the gags (There is an extended musical montage that contains some cringe-worthy moments.), all of this tends to dull the expectations for writer Seth Grahame-Smith's Abraham Lincoln: Vampire Hunter or his ability to pen the recently announced Beetlejuice 2.
 
“Dark Shadows” is the latest of eight collaboration efforts between director Tim Burton and Johnny Depp. The magic is fading if not quite gone altogether. It's not that the idea of resurrecting the cult-fave TV soap (that ran from 1966 to 1971) to the silver screen is such a bad idea, it's just that the execution is, well, kind of blah. The previews that we have seen recently create the anticipation of  a satirical goof, but, as it turns out, those trailers are better than the movie itself. The film isn't the least bit scary, it lacks suspense and is not at all funny.
Mr. Depp plays Barnabas Collins, master of Collinswood Mansion in the quaint little seaside fishing village of Collinsport, Maine. His return to Collinswood comes 196 years after being transformed into a vampire and buried alive by the vengeful witch Angelique (Eva Green) back in the halcyon days of 1795. The current Collinswood clan is a loose amalgam of misfits, circa 1972, headed by matriarch Elizabeth (Michelle Pfeiffer) and includes a resident child psychiatrist (Helena Bonham Carter) with garish red hair and the pallid skin that is so commonplace in all of Burton films. With his fangs and eye shadow,Barnabas fits right in.
The film is best when it focuses on Barnabas’ culture shocks in this brave new world. He seems to be having fun with his character’s bewildered reaction to this incomprehensible new world of the '70s but I was left feeling like he was trying too hard...camping it up a bit too much. There really isn't the sense of fun like Burton created in his films like “Beetlejuice”, nor is there any of the gloomy-doomy spectacle of a film like “Batman”.

Barnabas and his nemesis Angelique do the heavy lifting, the rest of the capable cast is sorely underutilized, largely playing straight men to the protagonist-antagonist duo. Christopher Lee, film icon of the macabre, for example is utterly wasted.




I highly doubt that fans of the original TV show will eat up this spoof-like adaptation. This is more of a goofy, comedic approach than Depp and Burton's horror-comedy collaboration on Sleepy Hollow, this tone undermines the moments when the story attempts to play it serious. Although Burton will most likely catch the most flack for Dark Shadow's failings, it's probably more due to the script. The colorful, '70s soft-focus look works, and is a far cry from the visual overdose of Alice in Wonderland. Ignoring the failed attempts at suspense and drama and despite some flat jokes, there is a modicum of enjoyment but it leaves me wondering why we expect so much from these Depp-Burton projects.

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Friday, May 4, 2012

The Avengers - Review (updated 5/8/12 + Howard the Duck)


The Avengers grosses $18.7 million in late-night shows

Marvel's The Avengers

Opens today May 4, 2012
(Already opened in some foreign markets)
Run time: 2 hs 23 min
PG-13
Intense Sci-Fi Action/Violence and A Mild Drug Reference
Rating: A
Budget $220 Million
Box office to date $300+ Million

Nick Fury of S.H.I.E.L.D. brings together a team of super humans to form The Avengers to help save the Earth from Loki and his army. 
I saw this in the IMAX 3D format. I didn't mind the 3D effects at all (although the glasses made my face sweat which was a distraction). It was one of the first showings at 12:01 AM the theater was sold out and full of Comic Book geeks, er I guess I should say fans (although I think even they would call themselves Super Hero Geeks when they come to the movie dressed up in Super Hero costumes). They loved the film. I was all prepared to be underwhelmed...BUT I WASN'T! It has been a long time since I have been in a theater where the audience as a whole laughed and cheered a film. At the end there was cheering and applause.
I will update this post soon with a more complete review. (In the meantime I have included the synopsis of the film as posted on Wikipedia.)

I guarantee that this is going to be a huge box office smash hit! It has already topped $300 million prior to it's US opening and should make around $150 million this opening weekend.

 

Update: (Aug. 8, 2012)
Opening weekend in America tops $207 million, the previous record was held by Harry Potter and the Deathly Hallows part II at $169.2 million. The Avengers worldwide box office has exceeded $702 million in just 13 days.
OK, I was off on the opening weekend box office by 38%. Oops, my bad. Instead of $150 million it earned $207 million. But I was certainly right about it being a smash hit.
Avengers even gave a boost to the financially troubled Disney film, John Carter, after being teamed up as a double feature at Drive-in Theaters over the weekend, John Carter's earnings jumped by 1,224% over its previous weekend earnings.
There were 127 films playing during The Avengers' opening weekend. Avengers earned over four times as much as the other 126 films combined, totaling $207 million of the weekends total receipts of $258.2 million.
I have added some pictures to the previously posted review and a little personal tale about Howard the Duck, NOT one of Marvel's super hits.

None of the characters dominate this film, as it should be, a credit to Josh Whedon and Zak Penn. Who would have suspected that the Hulk, who hardly speaks at all,  would deliver two of the best laughs in the entire film.

The Avengers is fairly long but not that you will notice. It keeps you involved the entire time. The comedy and the suspense work very well with each other, artfully balanced by director Josh Whedon.

Synopsis:
Nick Fury (Samuel L Jackson), director of the espionage agency S.H.I.E.L.D., arrives at a remote research facility during an evacuation. The Tesseract, an energy source of unknown potential, has activated and opened a portal through space, through which the exiled Norse god Loki (Tom Hiddleston) steps. Loki takes the Tesseract, and uses his abilities to control the minds of several S.H.I.E.L.D. personnel including agent Clint Barton (Jeremy Renner), and physicist consultant Dr.Erik Selvig (Stellan Skarsgard) in order to aid in his getaway.
In response to the attack, Fury reactivates the Avengers Initiative. Agent Natasha Romanoff (Scarlett Johannson) is sent to India to recruit Dr. Bruce Banner (Mark Ruffalo), while Agent Phil Coulson (Clark Gregg), approaches Tony Stark (Robert Downey Jr.) and requests that he review Selvig's research. Fury himself approaches Steve Rogers (Chris Evans) with an assignment to retrieve the Tesseract from Loki. During his exile, Loki encountered the Other (Alexis Denisof), an alien conqueror who in exchange for the Tesseract offers Loki an army of the alien race called the Chitauri in order for him to subjugate Earth.

Rogers, Stark and Romanoff travel to Germany to apprehend Loki, who is recovering iridium needed to stabilize the Tesseract's power and demanding that the civilians kneel before him. After a battle with Captain America and Iron Man, Loki surrenders and is escorted back to a S.H.I.E.L.D. plane. However, Thor (Chris Hemsworth), Loki's adoptive brother and the Norse god of thunder, arrives and attempts to free Loki to reason with him. Stark and Rogers confront Thor, and Loki is eventually returned to the Helicarrier, a high-tech, flying aircraft carrier, and placed in a cell designed to hold the Hulk.
 


The Avengers are divided, both over how to approach Loki and the revelation that S.H.I.E.L.D. plan to harness the Tesseract's power to develop weapons. Fury admits that the events in New Mexico a year before made S.H.I.E.L.D. aware of extraterrestrial life, some of whom may see Earth as a target. The decision was made to produce weapons with the Tesseract as a means of deterrence. As the group argues, Barton and Loki's other possessed agents attack the Helicarrier, disabling its engines in flight. As Stark and Rogers attempt to restart the damaged engines, Banner transforms into the Hulk, despite Romanoff's best efforts to calm him down, and runs amok inside the ship, fighting Thor. During a fight with Barton, Romanoff discovers that a blow to the head — powerful enough to knock Barton unconscious — is enough to break Loki's mind control. Loki escapes, killing Agent Coulson as he does so, and Thor and the Hulk are each ejected from the ship.

Fury uses Coulson's death to motivate the Avengers into working as a team. Stark and Rogers realize that simply defeating them will not be enough for Loki; he needs to overpower them in a very public way so as to validate himself as ruler of Earth. Using a device built by Selvig, Loki opens a portal to the Chitauri fleet over Manhattan, summoning a Chitauri invasion.
 

The Avengers rally in defense of New York, but quickly realize they will be overwhelmed as wave after wave of Chitauri descend upon Earth. With help from Barton, Rogers and Stark evacuate civilians, while Banner transforms into the Hulk again and goes after Loki, beating him into submission. Romanoff makes her way to the portal, where Selvig, freed of Loki's control, reveals that Loki's staff can be used to close the portal.
Meanwhile, Fury's superiors attempt to end the invasion by launching a nuclear missile at Manhattan. Stark intercepts the missile and takes it through the portal toward the Chitauri fleet before running out of power and plummeting back to Earth, but the Hulk catches him as he falls. Thor escorts Loki and the Tesseract back to Asgard, while Fury notes that the Avengers will go their separate ways until such time as a new world-threatening menace emerges.

Buy The Avengers merchandise:
Cast of The Avengers at the 2010 San Diego Comic-Con International, with Joss Whedon and Kevin Feige.
In a post-credits scene, the Other confers with his master about the attack on Earth. In a second post-credits scene, the Avengers — gathered at a shawarma restaurant — eat in silence.


My Personal brush with 'fame' at Marvel
Stan Lee is the artist who brought most of the Super Heroes to life in the pages of Marvel's comic books. He has appeared at various pre-release events for the Avengers. He was not, however, responsible for Howard the Duck. 
Many years ago way back in the 70s, I did some work for Marvel Comics. At some of the pre-release publicity events in NYC for the movie, Howard the Duck. Although the comic was seen as one of the best of the 70s, its transition to the silver screen was not so warmly received by critics many who still refer to it as one of the worst movies of all time, it was proclaimed as a major movie fiasco heaping ridicule on all those involved including: George Lucas, Tim Robbins, Lea Thompson, and Jeffery Jones.

Anyway back to me...I made some personal appearances as Howard the Duck back in the 70s. One of those appearances was at a party for the children of Marvel executives. It was a part of the annual International Toy Fair in Manhattan. It was to occupy the children while the parent executives did their 'adult' stuff.  It is a tremendously important industry convention/trade-show. 

And...If I may be so bold, the children were for the most part ill mannered, privileged, spoiled, little monstrous brats. It was not one of my shining moments as an actor. I couldn't say one of my most favorite and special experiences nor was it what I would come to remember as a pleasant experience.

Thursday, May 3, 2012

The Raven - Review

The Raven (2012)

Mystery | Thriller
MPAA Rating: R Bloody Violence and Grisly Images 
Information for parents: Common Sense Media says Iffy for 16+. Read More

Release date:  27 April 2012 (USA) 
Running time:   111 minutes
Rating: C-
Budget     $26 million
Total Lifetime Grosses (as of May 1, 2012)
Domestic:  $8,582,941    70.7%
Foreign:  $3,558,891    29.3%

Worldwide:  $12,141,832


The premise of this film, set during the last few days in the life of Edgar Allen Poe, is to reveal what happened during those last days. Poe (John Cusack) is a penniless drunk with few friends, depending on money he gets from The Baltimore Times for writing disparaging reviews of other writers' work to keep him in the booze. Emily (Alice Eve) the woman he loves is difficult to reach because her father Colonel Hamilton (Brendan Gleeson) has a very understandable dislike of Poe, so we are supposed to accept the assertion that a young beautiful girl is head over hills in love with an older man, at the end of his career and is willing to sneak around behind her very wealthy father's back to see him. For some unexplained reason, Poe has a pet raccoon.


Detective Emmett Fields (Luke Evans) ascertains while investigating the brutal murders of a mother and her 12- year-old daughter in a locked room, that the crime scene has a striking resemblance to a mystery story that was just published in the local newspaper, Poe's 'Murders in the Rue Morgue'. He sends a squad of policemen out to bring Poe in for questioning. Upon being convinced that a psychotic serial killer has been using Poe's writings as inspiration. Although Fields doesn't believe Poe is responsible for the murders he is definitely connected to them. A second murder is discovered, this time based on the story The Pit and The Pendulum. As you might imagine this is a gruesome death, if you are aware of the story. If you're not, well, let's just say that the pendulum has an enormous blade on the end of it. This ushers the film in the direction of 'Poe' meets 'Saw', or in other words gratuitous gore. The victim the pendulum is a writer at The Baltimore Times who wrote highly negative reviews of Poe's stories. A crimson mask found on body is a message from the killer to Poe and the police about where he will strike next. The killer is playing a game with them and when the life of his beloved Emily is threatened Poe is forced to play the killer's game.

Raven takes a while to get going and one of my objections is the usage of profaine and raunchy language, particularly in the early scenes in what appears to be an attempt to modernize or update the story to contemporary language to give it an edgy feel. It doesn't work and is distracting. (Speaking of distracting, who was the genius who came up with the closing credits. They were totally out of sync with the rest of the film. It was like splicing the credits for Pulp Fiction onto the end of Passion of the Christ, very distracting and annoying.) The film might be minimally entertaining if you are not familiar with Poe's writing, the acting is serviceable but the characters don't really get much chance for development. Cusack's performance, I would assume, bore very little resemblance to the real Edgar Allen Poe is over the top and similar to Robert Downey Juniors's take on Sherlock Holmes. The film a whole had the taste of a mystery thriller romp with a pulpy comic book feel. It tries too hard to be compete with the more sensational, grisly films of this genre yet still maintain an air of superiority by not actually getting all the way into the gutter but just tiptoeing though it. It can't seem to decide if it is an edgy historical thriller or a comic book superhero adventure. In the end it doesn't really work very well.

 



 

Cast:
John Cusack John Cusack ...
Luke Evans Luke Evans ...
Alice Eve Alice Eve ...
Brendan Gleeson Brendan Gleeson ...
Kevin McNally Kevin McNally ...
Maddux
Oliver Jackson-Cohen Oliver Jackson-Cohen ...
John Cantrell