Monday, December 15, 2014

Nikola Tesla

Using electricity to make a portrait of
Inventor, Engineer (c. 1856–1943)

Serbian-American inventor Nikola Tesla developed the alternating-current electrical system that's widely used today, and discovered the rotating magnetic field (the basis of most AC machinery). So it is only fitting that electricity be used to paint his portrait. (I'm sorry, I don't know the name of the artist.)







 Nikola Tesla ca. 1890
One of the brightest minds the world has ever known.

Monday, December 8, 2014

Benji in Yorkshire

If this doesn't make you smile there just might be something wrong with you.

A pygmy goat is a small breed of domestic goat. Pygmy goats tend to be used as meat goats primarily, though also work well as milk producers unlike standard meat goats. They are also sometimes kept as pets in urban or suburban backyards, depending on local regulation of livestock ownership. The pygmy goat is quite hardy, an asset in a wide variety of settings, and can adapt to virtually all climates. The anatomy of a pygmy goat shows it has many features specific to pygmy goats, such as a thurl, but also has features similar to other animals, such as the dew claw which is also found on cats and dogs. Maybe that's why dogs and pygmy goats are able to get along as friends.
 

Goats are among the earliest animals domesticated by humans. The most recent genetic analysis confirms the archaeological evidence that the wild Bezoar ibex of the Zagros Mountains are the likely origin of almost all domestic goats today.

Neolithic farmers began to herd wild goats for easy access to milk and meat, primarily, as well as for their dung, which was used as fuel, and their bones, hair, and sinew for clothing, building, and tools. The earliest remnants of domesticated goats dating 10,000 years before present are found in Ganj Dareh in Iran. Goat remains have been found at archaeological sites in Jericho, Choga Mami Djeitun and Çayönü, dating the domestication of goats in Western Asia at between 8000 and 9000 years ago.

Saturday, November 1, 2014

Michael Grab - A Balancing 'Class' Act

Thinking of the previous post, the movie review for Koyaanisqatsi (Life out of balance) this artist is not only not out of balance but is a balancing expert.







Michael Grab has mastered the art of stone balancing. He explains how he does it. “The most fundamental element of balancing in a physical sense is finding some kind of “tripod” for the rock to stand on. Every rock is covered in a variety of tiny to large indentations that can act as a tripod for the rock to stand upright, or in most orientations you can think of with other rocks. By paying close attention to the feeling of the rocks, you will start to feel even the smallest clicks as the notches of the rocks in contact are moving over one another. In the finer point balances, these clicks can be felt on a scale smaller than millimeters. Some point balances will give the illusion of weightlessness as the rocks look to be barely touching. Parallel to the physical element of finding tripods, the most fundamental non-physical element is harder to explain through words. In a nutshell, I am referring to meditation, or finding a zero point or silence within yourself. Some balances can apply significant pressure on your mind and your patience. The challenge is overcoming any doubt that may arise.”

Koyaanisqatsi - Movie review (A blast from the past)

This film is one of my favorite films and is most certainty best viewed on the Big Screen. I saw it years ago in Manhattan in IMAX -- such a visual treat.

KOYAANISQATSI
(1982)

Documentary | Music | Special Interest
1 hr. 26 min.

Rated: UR - Unrated
Grade: A

Director: Godfrey Reggio

Writers:Ron FrickeMichael Hoenig, Godfrey Reggio, Alton Walpole 
Music: Philip Glass
Stars: Lou Dobbs, Ted Koppel | See full cast and crew


A movie with no conventional plot: merely a collection of expertly photographed scenes. Subject matter has a highly environmental theme.

 
An art-house circuit sensation, this feature-length documentary is visually arresting and possesses a clear, pro-environmental political agenda. Without a story, dialogue, or characters, Koyaanisqatsi (1983) (the film's title is a Hopi word roughly translated into English as "life out of balance") is composed of nature imagery, manipulated in slow motion, double exposure or time lapse, juxtaposed with footage of humans' devastating environmental impact on the planet. Starting with an ancient rock wall painting, the film moves through sequences depicting clouds, waves, and other natural features, then into man-made landscapes such as buildings, earth-altering construction machinery, and cars.
The message of director Godfrey Reggio is clear: humans are destroying the planet, and all of human progress is pointlessly foolish. Also notable for its intense, atmospheric score by new age composer Philip Glass, Koyaanisqatsi (1983) was a labor of love for Reggio, who spent several years filming it. The film was followed by sequels, Powaqqatsi (1988), Anima Mundi (1991) and Naqoyqatsi (1999).

Koyaanisqatsi is eye candy and the Phillip Glass soundtrack is excellent and I'm not a big Phillip Glass fan.
Below is the full movie via vimeo
I suggest viewing it in full screen mode.


At the end of the film just prior to the credits are some very telling quotes of ancient Hopi prophecies. Think of the contrails from  military jets that appear in our skies worldwide.


If you are just too impatient to watch the entire movie there is a 5 min.'Cliff Notes' version of the film below.

Tuesday, October 21, 2014

Welcome to Fall

Enjoy the season

 
 Enjoy the colors

 Enjoy the chill in the air
 Enjoy the misty mornings
Enjoy the fragrance in the air
For all too soon it will be gone.

Sunday, September 28, 2014

My Old Lady - Movie Review



MYOLDLADY
(2014 - September 10)
Comedy | Drama
1 hr. 47 min.

Rated: PG-13 |  For thematic material and some sexual references. Common Sense Media says: OK for 14+. Profanity is very sparing, which makes the words ("d--k," "s--t") have an even stronger impact when they're heard. There's also some kissing, off-screen sex, and casual/social drinking.
Grade: B-

Director: Israel Horovitz
Writers: Israel Horovitz (screenplay), Israel Horovitz (play)
Stars: Kevin Kline, Kristin Scott Thomas, Maggie Smith | See full cast and crew

Mathias Gold (Kevin Kline) is a down-on-his-luck New Yorker who inherits a Parisian apartment from his estranged father. But when he arrives in France to sell the vast domicile, he's shocked to discover a live-in tenant who is not prepared to budge.

His apartment is a viager — an ancient French real estate system with complex rules pertaining to its resale — and the feisty Englishwoman Mathilde Girard (Maggie Smith), who has lived in the apartment with her daughter Chloé (Kristin Scott Thomas) for many years, can by contract collect monthly payments from Mathias until her death.

With no place to go, Mathias strikes a tentative lodging arrangement with Mathilde, instantly clashing with suspicious, lovelorn Chloé over his private dealings with a rapacious property developer, who wants to purchase the apartment. An uneasy détente settles in as the quarreling Mathias and Chloé come to discover a common ground of childhood pain and neglect. As they draw increasingly closer, Mathilde unveils a complex labyrinth of secrets that unites the trio in unexpected ways.




Kevin Kline and the 79 year old Dame Maggie Smith star in this charming romance dramadey set in Paris. It is also Israel Horovitz' debut as filmmaker. At 75, Mr. Horovitz, is the  author of 70 stage plays. He took this one, popularly performed all over the world in many languages, and said to be his favorite and adapted it for the screen. He directed and his daughter Rachael Horovitz produced.
The first act is a bit slow as we get to know the characters but the strong performances make it worth the wait. This is Kevin Kline like he is rarely seen, dark, troubled and vulnerable. Maggie Smith is incredible as usual. She has the knack for delivering a line, getting the most out of what the author supplies to her.
Jim Gold (Kevin Kline) is an unsuccessful American writer, he has just arrived in Paris to collect his inheritance, an old two-story apartment with a large attached garden smack in the center of  the expensive Marais district. His plan is to sell the apartment for some quick much-needed cash and get out of town. However, Mathilde Girard (Maggie Smith) is a 90something little old Englishwoman who happens to be living in it along whit her daughter Chloé (Kristin Scott Thomas) who is irritable, defensive, unmarried and determined that Mom won’t be going anywhere, not any time soon anyway.

This is the setup for “My Old Lady,” a tale of troubled family histories, the clashing of Franco-American culture and arcane French real estate law.
Because of "viager", this French concept of what amounts to a reverse mortgage, Madame Girard is grandmothered into the apartment, that Jim Gold has inherited from his estranged father whom he hadn’t seen in decades. He shows up to check out and sell his property and there she is — immovable because of the “viager.” He owns the property, but only after she dies. The reverse annuity contract means that not only can he not sell the property but he has to pay rent to her, as well. It’s all in his dad’s will.
 
“I own this apartment,” mutters Jim, whom Madame Girard insists on calling 'Mathias',..."And I own…you?”
Jim was born in Paris but left when his parents split up. He is now 57, has no job, no money and is the owner of a property he can do nothing with, at least not until his 'old lady' dies. What’s more, she insists on getting her 2,400 Euros rent. 
"That’s a nice watch there, Mathias". She says, implying that she will accept it as payment for the first month. 
"It's gold."
“You’re a pirate, Madame Girard!”
“How do you get to be 57 and 11 months and have so little to show for it?” She asks.
The third act becomes a bit muddy as Horovitz attempts to add mystery where it is unnecessary. All in all it's a good film that should have been a great film, a bit disappointing considering the talented cast, but the performances alone are worth the time.

CAST
  Dame Maggie Smith              Kevin Kline             Kristin Scott Thomas  
Mathilde Girard              Mathias Gold                   Chloé Girard