New York City cop John McClane (Bruce
Willis) arrives in Moscow to track down his estranged son, Jack (Jai
Courtney). McClane thinks his son is a criminal, so it comes as a shock
when he learns that Jack is actually working undercover to protect
Komarov (Sebastian Koch), a Russian government whistleblower. With
their own lives on the line, McClane and Jack must overcome their
differences in order to get Komarov to safety and thwart a potentially
disastrous crime in the Chernobyl region.
This film is #5 in the Die Hard franchise and yes...it's
A Good Day (for this franchise) To Die Hard!
Classic action films...classic Willis.
So so to ho hum...Willis still a presence.
Jumping the shark...Willis collecting a paycheck.
What an ignominious end to a movie franchise. We all know that in a Die Hard film there is going to be a lot of tension, suspense, backstabbing, explosions, double-crossing, guns blazing, car chases, profanity and strategically placed F words. No big surprises here except that the suspense is somewhat lacking and the double-crossings and back-stabbings are so numerous that one tends to becomes impatient, even annoyed with the story. Like it's trying too hard to keep you guessing.
If all you want is explosions and guns blazing and predictable quips and logic and believability are of no importance this may be the film for you. It's like a Bruce Willis/Roadrunner-Wiley Coyote movie. John McClane (Bruce Willis) and Jack McClane (Jai Courtney) would have died at least a dozen times in this film.
The car chase in the beginning of the film is without a doubt incredibly stellar stunt work with dozens and dozens of vehicles being destroyed, but to be honest completely unbelievable. Our heroes (and villains) would all have been killed several times over not to mention that life seems to go on unfettered in Moscow while all of this hellishness is unleashed. Where are the police? The stupensous explosions, gunfire and car crashes would be heard all over Moscow but no one seems to be too concerned. Helicopters fire rockets into downtown buildings and yet nearby people are still shopping and going about their daily business as if it were just another day.
If that is enough for you and believability is of no importance this may be the film for you. At least they didn't include gratuitous nudity and sex. That and the superbly executed stunts saved A Good Day To Die Hard from earning a lower grade from me.
From the producers of Paranormal
Activity, Insidious, and Sinister comes Dark Skies: a supernatural
thriller that follows a young family living in the suburbs. As husband
and wife Daniel and Lacey Barret witness an escalating series of
disturbing events
involving their family, their safe and peaceful home quickly unravels.
When it becomes clear that the Barret family is being targeted by an
unimaginably terrifying and deadly force, Daniel and Lacey take matters
in their own hands to solve the mystery of what is after their family.
Dark Skies starts out with promise and anticipation, unfortunately it falls into the rut that most of this genera seems prone to succumb to. An interesting concept that looses focus and the wheels fall off about 2/3 to 3/4 of the way into the film. There doesn't seem to be a reasonable conclusion so the film becomes so fantastical that you are left thinking what a weak, or stupid, or silly ending.
This film is sort of like an unremarkable episode of the The X-Files or The Twilight Zone (for those of us a little older), a little bit spooky, a little bit silly but pablum for the true 'believers'.
The major problem with the film is that the director/writer can't seem to decide what story he wants to tell us, is it about paranormal activity, a drama about a family under stress, alien encounters or just what? Is the story about the mom, the dad, the oldest son or the little brother or the intruders?
It gets sidetracked slumming into the prurient mindset and braggadocios conversations of pubescent teen boys, but otherwise the dialogue is pretty tame. It isn't laced with profanity so I do give it props for that. It's just too bad that it starts out well gets you interested and then lets you down.
A supernatural love story set in the South which tells the tale of two star-crossed lovers: Ethan Wate, a young man longing to escape his small town, and Lena Duchannes, a mysterious new girl. When Lena arrives in the small town of Gatlin, she
quickly captures the attention of Ethan, who only wants to escape
what he views as a boring and dead-end town. He quickly gets more than
he bargained for, Lena possesses strange powers that have long kept
her at a distance from others in her life. Lena and Ethan are drawn
together, but their romance is threatened by the dangers presented by Lena's
being a Caster and her family's Dark powers. Together, they uncover dark secrets about their respective families, their history and their town. Lena, on her sixteenth
birthday, must undergo the 'Claiming', a process that will determine forever her
fate: will she be Light or Dark.
Beautiful Creatures...creatures, yes, beautiful, eh...not so much. This supernatural, coming of age, romance, soap opera is far from super and just as far from romantic or even interesting for that matter.
There is so much exposition in this film because without it it would be completely impossible to follow. The script is so laborious that the pace of the film is excruciating, the 2 hour 4 minute run-time felt like 3 1/2 hours, it makes Les Misérables seem like a 60 minute TV prime time drama.
The element that you would expect to be the weak link, the teen romance, is really the strongest link in this very rusty chain. Jeremy Irons, Emma Thompson and Viola Davis are all so bad that you worry about the negative effects this disaster will have on their careers. Where does one start? Viola Davis after her stellar performance in The Help, is reduced to playing a 'wise sage', a woman working two jobs, a house keeper for a white family and a librarian for bigoted white people. The stereotyping of southerners as hateful, religious bigots, intolerant, close-minded ignorant fools is so heavy handed it is barf worthy. Jeremy Irons and Emma Thompson's over acting is so campy, with laughably bad southern accents that it is simply appalling. What a mess and what a waste of talent.
Beautiful Creatures is a romantic fantasy train wreck of a film based upon the The Beautiful Creatures Complete Collection by Kami Garcia and Margaret Stohl. The film is directed by Richard LaGravenese. It is obvious that Beautiful Creatures is targeted at the Twilight Saga audience, which did not impress me much, but is of classic quality, comparatively.
The special effects are pretty lame considering what is the standard these days...cloudy skies, lightening, winds, a spinning table. Oooh scary. The 'Casters' have really startling powers too, like making teenage boys horny! I mean really, how hard is it to do that. I guarantee that the ending will leave you underwhelmed.
This is really one of those worthy of being passed over. It beats the anti religion drum persistently but I will give it credit for not bowing down to the Hollywood sex and F word culture although there is an abundance of lesser profanities. One would also have expected that they would take the opportunity to go heavily into the racy sex and nudity exploitation since, after all, this is a teen romance story. So, I do commend them for not going trashy.
Behind the scenes with director Richard LaGravenese.